The Era of Twenty-Something Theatre

Back in December, at a performance of The Drowsy Chaperon, I lamented at the age of the audience. “Where are the young people?” I wondered, and “where is our future audience?”

Well, I’m happy to say, I think I’ve found them. I’m happy to say, there is a movement in Vancouver, of young, twenty-somethings starting theatre companies and producing seasons. Not just a group of friends getting together to do one-offs in the slow film times, but companies that are forming and doing a series of productions over the year.

Allow me to introduce:

Fighting Chance Productions: Fighting Chance burst onto the scene in a very controversial way. Their production of The Laramie Project late last year got some negative attention (from someone whom I will not name, because I don’t want to give him any more attention), which lead to sold-out shows and a baptism by fire. Fighting Chance, lead by Ryan Mooney, is doing lots of cool stuff with a twenty-something edge: their production of Tick… Tick… BOOM!, written by Jonathan Larsen, opened last night at Jericho Arts Centre. TTB deals with the struggle of an artist/composer on the cusp of his thirtieth birthday–how far should he pursue his art? Should he continue to be a waiter/starving artist/composer with promise, or pack it in like some of his friends, and get the corportate job, the classy apartment and the Beemer?

I would estimate the median age in the audience last night was 23-30. The play speaks to young artists, and is produced by and was written by a young artist. It has appeal.

Itsazoo Productions: Started in 2004 by five UVic Theatre grads, Itsazoo conquered Victoria, and has now set its sites on Vancouver. Some of their stuff is original, lots is site-specific. They just finished an original piece at the PAL called Death of A Clown (which, like TTB, involved themes of corporate consumerism and the soul-stealing day job), and are currently producing Edward Albee’s The Zoo Story outside in Mt. Douglas Park in Victoria. Vancouver audiences will get a chance to see Albee’s surreal first play April 15-18 and 22-25 at Second Beach in Stanley Park.

Again, whenever I go to Itsazoo shows, I see a younger demographic–and what I’ve experienced in working with them over the last year, is that they have an audience that supports them.

Twenty-Something Theatre: Sabrina Evertt, Artistic Director, says she has started Twenty-Something to create “life-affirming, socially-relevant productions featuring the city’s best up-and-coming artists.” Sabrina, also a UVic grad (what is it about that program??) is producing Unidentified Human Remains and the True Nature of Love, a beautiful-but-brutal piece of theatre, and has started a blog to document the process. Past work includes Bogosian and LaBute, sharp, modern, smart, and appealing to the younger set.

These three companies have lots in common, besides being helmed by those who have still not hit the big 3-0. They are creating theatre that they, as twenty-somethings are interested in, and that translates to their demographic. They are embracing new ways of getting bums in seats, like social networking, particularly Facebook.They are dedicated, and serious about the business.

The future’s looking brighter….

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Rebecca Coleman

Social Media Marketing Strategist, Blogger, Author, Teacher, Trainer. Passionate foodie, mom to Michael, fueled by Americanos. I love my bike. Soon-to-be cookbook author. Localvore with a wanderlust.

Comments 5

  1. Last night I went to Opening Night of Tick, Tick…Boom at the JCC and I would venture that 95% (maybe more since the exception was 1 or 2) were all under the age of 35.

    This makes me a VERY happy theatre producer indeed!

  2. What a great blog Rebecca! Thanks so much for coming and checking the show out and thank you so much for your support! 🙂 Sorry I didn’t get a chance to talk to you post-show. I hope you enjoyed it.

  3. Rainforest Theatre is another twenty-something company. Producing all new plays and mostly casting actors under thirty, the company offers all of its shows by donation (or free) to audiences and pays its actors a profit share. The company also regularly produces Theatrefest which was created to give other companies and solo performers an opportunity to stage their shows affordably (a venue is provided by donation). http://www.Theatrefest.org and http://www.RainforestTheatre.com.

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